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There is an Apulia you don't know, made up of history, culture and flavors that arouse unique emotions: from Easter events to patronal festivals, from the paths of the soul to the flavors and aromas of gastronomy and wine excellence.

 

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Municipalities of the month

09 June 2022

CHIEUTI

The Gateway to Apulia

The Gateway to Apulia   Situated on a lush hillside, about 8 km from the sea, Chieuti is considered the 'Gateway to Apulia' and is surrounded by breathtaking views: the Gargano promontory, with a view of Lake Lesina, dominates the view to the east, while to the west there is a wide view of lower Molise, in particular Termoli and its port.   In the background, the Maiella mountain range looms overhead, and on mist-free days even the Gran Sasso massif is visible, providing evocative sunsets on summer afternoons. Closing the frame of the marvellous panorama is the presence of the Tremiti Islands, which face the coastline of Marina di Chieuti in a crystal-clear sea that has repeatedly been awarded coveted accolades, such as the Bandiera Blu (Blue Flag) and the four Legambiente sails, and that stretches along a sandy coastline with crystal-clear waters, with the Tremiti Islands and the Gargano forming the backdrop to a breathtaking landscape. {IMAGE_4}{IMAGE_7} After being destroyed by the Goths in 495 A.D., between 1460 and 1470 an Albanian community settled permanently in the territory, having arrived in the retinue of the leader Giorgio Castriota Skanderbeg.   Of these origins, Chieuti still preserves evidence today thanks to the presence of the Arbereshe language, still spoken among the population. In recent years, the community has been working to safeguard and valorise this heritage, through demonstrations and events, with songs in the language and typical clothing.   THE FEAST   Characteristic of Chieuti is undoubtedly the festivity in honour of its patron saint, San Giorgio Martire, with the Carrese of 22 April, a singular race with four wooden carts, each pulled by a pair of oxen, which, with the help of horses, cover a distance of around 4 km that leads them from the countryside to the church located in the town centre.   The prize for the winning wagon will be to carry the simulacrum of the saint on its shoulders during the procession on 23 April, wearing a red headdress with a bow in the colour of its district. On this occasion, the Tarallo, a form of cabbage paste weighing around 80 kg, is also paraded, which after being blessed is divided and distributed to the entire population.    To visit: the Museum of Arbereshe Culture and Identity, plus the Museum of Chieutin Migration, and the Catholic Church of St George Martyr, built in the 17th century in honour of Skanderbeg. The church houses a canvas depicting St George and the dragon, attributable to master Alessio D'Elia, dated around 1740. In the sacred building, the St. George and the Dragon is accompanied by a canvas depicting Our Lady of Mount Carmel giving the scapular to the souls in purgatory, also attributable to the work of D'Elia, and an artefact depicting the Madonna and Child, attributable to the work of Paolo Saverio di Zinno (1718-1781), a Molise sculptor very active in Capitanata.   Photos by: Gaetano Armenio and Pasquale Aurelio

cities

17 November 2022

RUVO DI PUGLIA

Between Tradition and Innovation

between Tradition and Innovation     A city of art recognised as such by the Apulia Region, Ruvo began its history in the Neolithic period, but the most widespread settlement forms date back to the Iron Age. From the 6th century B.C. onwards, there was a Hellenisation of the local Peucete communities, evident in the furnishings accompanying the aristocratic tombs, valuable figurative ceramics of Attic import or of local manufacture, famous throughout the world.   The town grew during the Roman period with its status as municipium, while the Romanesque cathedral was built in the Middle Ages between the 12th and 13th centuries with its peculiar accentuated slopes and its hypogeum.   In the Church of Purgatory, traces of late Roman times emerge: a cistern of a bath complex where the first Christians gathered, known as the Crypt of San Cleto.   The Castle consists of a tower of probable Norman foundation and three lower bodies arranged around an atrium, which is accessed through the Melodia Arch.   The Jatta National Archaeological Museum, with its characteristic 19th-century layout, is a treasure trove of the city's archaeological evidence. Among its more than two thousand exhibits, it preserves the extraordinary Talos crater, made at the end of the 5th century BC. Another site of cultural importance is the monumental complex of the former Dominican Convent dating back to 1560, formerly the Municipal Gallery of Contemporary Art, where the new Archaeological City Museum will be inaugurated this year.   The Clock Tower, built in 1604, has an epigraph walled into its walls that dates back to the municipal period of ancient Rubi. {IMAGE_4}{IMAGE_12}​ Noble palaces include Palazzo Spada, Palazzo Caputi, home to the Museo del Libro - Casa della Cultura, which houses the Testini Library, and Palazzo Avitaja, home to the Town Hall, all built between the 16th and 17th centuries.   On a naturalistic level, the Vagno Caves, the most important karst system in the area, and the Alta Murgia National Park, established in 2004, of which Ruvo di Puglia is one of the thirteen municipalities that make it up, as well as the actual gateway, are worthy of note.   Among the best-known traditions is Holy Week with its processions and funeral marches performed by local bands. On Easter Sunday, the Quarantane, puppets dressed in black that in local tradition represent the wife of Carnival, are brought out.   Also well-known is the Corpus Domini Octave festival, linked to historical events in the town according to an undocumented oral tradition.   The Sagra del Fungo Cardoncello (Mushroom Festival) in November is one of the most important events in the area to promote food and wine activities.   The Patron Saint Biagio celebrations are held on 3 February.    Talos Festival at the beginning of September is among the longest-running and most appreciated musical and multicultural festivals in Puglia, while Luci e suoni d'artista (artist lights and sounds) is a participatory public art project conceived in 2016 and already in its seventh consecutive edition.   Place to visit: Cathedral, Saint Cleto Crypt and Purgatory Church, Jatta National Archaeological Museum, former Dominican Convent, Clock Tower, Palazzo Caputi, Alta Murgia National Park.   Photo by Enzo Paparella, Biagio Stragapede, Gaetano Armenio

cities

30 April 2021

BITONTO

Capital of Olive Oil

Capital of Olive Oil     A symbol of olive oil, fascinating for its architecture and rich for the presence of artistic and cultural works, BITONTO is a city in which the grandeur of history and timeless traditions can be perceived.   An area where olive trees, with their gnarled trunks and lush green leaves, characterise the landscape leading down to the sea and are the emblem of the Murgia.   The city, says the heraldic motto, chooses the olive tree as an emblem of peace and a symbol of openness and welcome. An olive tree of great proportions, majestic, whose oil possesses exceptional organoleptic qualities, is the 'Cima di Bitonto' cultivar, a variety that from here reaches as far as the north-eastern area of Basilicata.   The olive tree also stands out on the town's coat of arms and oil is still the town's most important and valuable economic resource.   It is precisely in oil, the so-called yellow gold, that Bitonto finds its wealth. The ogliarola, Bitonto's olive, was already traded during the 13th century, triggering what was then an initial, timid glow of industrial revolution. {IMAGE_1}{IMAGE_2} The historical centre is a treasure chest full of artistic treasures. Walking along the ancient 'chianche' of the old town, the sound of footsteps punctuates the gaze of the traveller who observes the multitude of architectural beauties in enchantment.   It is a journey through time that begins with the Angevin Tower, an element of strength and openness, which with its mightiness is the only survivor of the thirty towers that delimited the urban area, and the adjacent Porta Baresana, placed to guard the route to Bari and Santo Spirito.   Not far away is the 'Devanna' National Gallery of Apulia (the only one in the region), housed in the sumptuous Renaissance Palazzo Sylos-Calò. On the walls of the Gallery are works by incredible artists such as Veronese, De Nittis, Delacroix, Poussin and Giaquinto, whose painting spans the centuries unchanged.   Wandering through the historical centre, one is dazzled by the Cathedral of Santa Maria Assunta and San Valentino, one of the most complete examples of Apulian Romanesque architecture, which with its majesty and elegance watches over the inhabitants of the old town. Inside is the extraordinary floor mosaic of the Grifo, dating from the mid-11th century.   The old town reveals unexpected gems: Piazza Cavour is dotted with churches and historical palaces, small streets oozing with history, and old street lamps with soft lights accompanying the traveller, who has no choice but to surrender to the incredible beauty of Bitonto.   During the Easter period, the calendar of processional events of Holy Week are moments not to be missed, as well as in May the Patronal Festival in honour of Maria SS Immacolata with the historical procession in memory of the battle in 1700 between the Spanish and the Austrians for the conquest of the city, and the festival dedicated to the Medical Saints Cosmas and Damian, celebrated in October and attracting the faithful also from outside the region.   To visit: Co-cathedral of St Valentine, Church of St Francis of Assisi, Church of the Crucifix, Church of the Purgatory, Sylos-Vulpano Palace, Sylos-Calò Palace, Angevin Tower, Archaeological Museum, National Gallery of Modern Art.         Photos by: Domenico Ciocia, Ezio Marrone, Andrea Melato, Gaetano Loporto, Francesco Racaniello.

cities

30 April 2021

GALATINA

The Pasticciotto, where it all began

The Pasticciotto, where it all began     GALATINA (Le) is also referred to as the Umbeliculus of Salento because it is equidistant from the Ionian Sea and the Adriatic Sea.   Famous for its confectionery art, Galatinese cuisine owes its goodness to the simplicity of its ingredients and the wisdom of its preparation. It is established history that the origin of the artisanal production of Salento's best-known dessert, the 'pasticciotto', dates back to the ancient workshop of the Ascalone family, in 1745.   The succession of generations has ensured that the original recipe, handed down orally, has generated a confectionery tradition, giving rise to many other craft businesses with a specific product quality.   This has allowed Galatina to be referred to as the undisputed capital of the pasticciotto. The cake is composed of shortcrust pastry and custard that, through a special baking process, achieve a perfect balance. The oval shape has a typical upper roundness, suitably burnished by a baking process that leaves the shortcrust pastry compact and makes the cream's aroma soft and persistent.   Among the uniqueness of pastry production, mention should also be made of the African, also called apostles' fingers, which date back to the 18th century, and the P.A.T. certified ice cream mafalda, which owes its name to a street in Galatina. {IMAGE_0}{IMAGE_1} The experience of visiting Galatina, going through the old centre, fills the senses with beauty. The alternation of courtyard houses, the expression of a popular urban architecture, with the splendour of the dozens of historic and noble palaces, with their richly decorated portals, offers a path in which the gaze is lost in place and time. The architecture of the historical centre is complemented by the countless churches, among which the Minor Papal Basilica of St Catherine of Alexandria stands out for its absolute beauty.   It is one of the most distinguished monuments of Apulian Romanesque and Gothic art in Apulia. Its frescoes of the Giotto and Sienese school, dating from the late 14th and early 15th century, cover the entire wall surface. For the vastness of its pictorial cycles, the Galatinese basilica is second only to the basilica of St Francis of Assisi.   An explosion of dancing to the rhythm of the 'pizzica', perfumes and folklore accompany the celebrations of the Patron Saints Peter and Paul on 28, 29 and 30 June. Until the 1980s, the chapel of San Paolo was home to the tarantati, who for three days and nights alternated sleeping phases with moments of choreographed dancing to eradicate evil.   This rite, which has now disappeared, is revived in a folkloristic key with spontaneous patrols and traditional processions with colourful scenery.   St. Peter's Square, with the majesty of the façade of the Church of Saints Peter and Paul, welcomes and bids farewell to guests, like a postcard from the world.   To visit: Basilica Pontificia minore of St. Catherine of Alexandria, the Chiesa Matrice of Saints Peter and Paul that preserves the stone on which St. Peter sat, the 18th-century Corte Vinella, Palazzo Tafuri- Mongiò with its rococo lines, Museo Civico Pietro Cavoti.     Photo by Alberto Russi, Gaetano Armenio

cities

30 January 2023

TERLIZZI

The city of flowers and ceramics

The city of flowers and ceramics     The recent recognition of Terlizzi as the city of ceramics exalts the centuries-old tradition of working with clay, which in these districts, in the heart of Apulia, has been able to achieve art forms of unusual beauty. Terlizzi is also the city of extra virgin olive oil and other agri-food delicacies, including the 'Mingo Tauro' florin, candidate for IGP denomination, and above all it is the 'city of flowers', with the hundreds of companies operating in the area and in the district, all well established on national and foreign markets by virtue of their excellent and much sought-after products: a true treasure of biodiversity.   But Terlizzi has many 'flowers', and all to be discovered, in an emotional journey that smells of both the ancient and the modern, where modernity is under everyone's eyes and the ancient is well portrayed, up to the point of reliving, in the pages offered by passionate scholars such as Don Gaetano Valente and arch. Michele Gargano, accustomed to immersing themselves in the documentary papers as in the maze of narrow streets and paved widenings of the medieval village enclosed by the 'stradone', overlooked by the elegant residences of the families that have made history in the city. {IMAGE_4}{IMAGE_7} At the edge of the mediaeval town, one can admire the elegant bulk of the neoclassical Co-Cathedral dedicated to St Michael Archangel, built on the 13th-century Collegiate Church that bore the signature of Anseramo da Trani, whose refined portal set in the Church of the Rosary can still be admired. In continuity, as if guarded by the tall bell tower with its bulbous, oriental-style termination, is the Church of the Immaculate Conception. It houses, amidst stuccowork and ornate Baroque ornamentation, a sequence of canvases depicting stories from the Old Testament and the life of the Madonna painted by Domenico Antonio Carella.   But what literally takes your breath away is the celebrated Adoration of the Shepherds by Corrado Giaquinto around 1750. A stone's throw away is the Pinacoteca Civica, which houses the rich legacy of works (over a thousand) by Michele de Napoli (1808-1892) in the same rooms as the artist's residence. It leads to Terlizzi's main square, dominated by the austere bulk of the Norman Tower, a strategic defence work, today the Clock Tower, crowned by civil architecture, including the Palazzo del governo cittadino (town government building) in conjunction with the Millico Theatre, and religious architecture, the churches of San Gioacchino and Santa Lucia with the War Memorial by Giulio Cozzoli in the centre, without neglecting the memory of illustrious Terlizzi citizens who fought for freedom and were slaughtered at the Fosse Ardeatine: Don Pietro Pappagallo and Gioacchino Gesmundo, whose commemorative monument is in Largo La Ginestra.   Your gaze along the Corso lingers on the imposing façade of Palazzo de Gemmis, with Vanvitellian-style inventions, and on the nearby church of Santa Maria la Nova, which was the forge of culture and theological knowledge of the Friars Minor Observant. It houses first-class works of art, such as the Nativity (1540) by Giovan Girolamo Savoldo (1480c-1548) and the Madonna and Child with Saints John the Baptist and Francis of Assisi (1532-1533) by Giovanni Antonio de Sacchis, known as Pordenone (1483c-1539).   An authentic oasis of peace and spirituality, along the routes of the Francigena, the Borgo di Sovereto encloses and preserves, as a precious pearl, the sanctuary of the patron Virgin whose icon was found, according to ancient legends, by a shepherd in a cave. Ѐ the Marian effigy of the Theotòkos (Mother of God), which every year, in the ritual commemoration of the mythical discovery, crosses the main streets of the town hoisted on the mammoth 'triumphal chariot' for the 'major feast' on the first Sunday of August, sealing one of the most beautiful and exhilarating feasts to be witnessed in Apulia.   THE TRIUMPHAL FLOAT   Terlizzi's triumphal float represents the symbol in which the entire community recognises itself. It is a festive machine with a wooden supporting structure and a 22-metre-high canvas covering, which every year parades along the main city streets, pushed by more than fifty men and driven by four helmsmen in traditional dress, directed by a head helmsman who skilfully leads it through the traditional and spectacular curves of the city centre.   It carries in triumph the icon of Our Lady of Sovereto and the statue of Saint Michael, the city's main patron saints, as well as a large number of children, seated on the steps leading from the 'carretta' to the 'throne' on which the sacred image of the Virgin is placed.   In Terlizzi, the tradition of the triumphal cart, attested by some documents from the 16th century, is intimately linked to the birth of the cult in honour of Our Lady of Sovereto. Its symbolism is imbued with content that refers to the legend of its discovery: the image of the Virgin was found by a shepherd who, while trying to free a stranded sheep, noticed the icon in an underground cavity. The shepherd was from Bitonto, while the icon was found in the Terlizzese countryside. The problem immediately arose as to which of the two municipalities the icon should belong to. It was thus decided to entrust the fate to the 'judgement of God'.   The image was placed on a cart drawn by two oxen, one from Bitonto and one from Terlizzi. The latter prevailed, blinding the ox from Bitonto with a horn. The cart thus arrived in Terlizzi, constantly changing its appearance. In 1868 it took on its final shape, both in its supporting structure and in its architectural and decorative components, handed down to the present day, thanks to Michele De Napoli, a great neoclassical painter who had become mayor of the town, who designed a new festive machine.   The operational construction of the float was entrusted to set designer Raffaele Affaitati from Foggia. Since then, the float has remained virtually unchanged in its stylistic components and continues to deeply move people on the first Sunday of August each year.   Places to visit: Co-cathedral of San Michele Arcangelo, Church of Santa Maria la Nova, Church of the Immaculate Conception, Church of the Rosary and Portal of Anseramo da Trani, Medieval village, Norman Tower (or Clock Tower), Palazzo di Città and 'Millico' Theatre, 'Michele de Napoli' Art Gallery, Sanctuary and village of Sovereto, Sanctuary of Santa Maria di Cesano.   text by Franco di Palo / photos by Francesco De Chirico

The events

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the Producers 

30 January 2023

Mastrototaro Food

"From field to table' for Mastrototaro Food is not an abstract concept but a real promise the company makes to the consumer.     We are in BISCEGLIE (Bat), a flourishing land lapped by the waters of the Adriatic Sea. It is precisely between the land and the sea that the preserves of Mastrototaro Food are born, products that symbolise the authenticity of Apulia and the genuine flavour of tradition.     The company has a long entrepreneurial history behind it, which began in 1956 and runs in the agricultural sector.     In 2008, Mastrototaro Food decided to further enhance the raw materials produced on the company's land by transforming them into excellent agro-food preserves. Three decades of expertise in the sector did the rest.     Today it is the three brothers, Mauro, Giulio and Roberto, who with skill and ingenuity run the company, which is certified organic and one of the few in Italy to organise production from scratch. The cicerone of our journey through the delicacies of the Mastrototaro brand is Mauro, who, amidst vast expanses of olive groves and vast fields of cultivated land, tells us about the great effort made to offer the consumer a product in which quality is the undisputed queen.     The cultivation of vegetables according to the ancestral customs of our ancestors and love for nature are the winning elements of the company, which harvests the raw materials by hand and transforms them into preserves in just a few hours.     This makes it possible to preserve the organoleptic qualities of the vegetables, which unleash their goodness and taste delicious just by looking at them. Aubergines, artichokes, mushrooms, peppers, tomatoes, olives and courgettes are the raw materials that go well with the extra virgin olive oil produced by the company.     Looking at the farm shop, we seem to be looking at a slightly larger version of grandma's classic larder. A triumph of colours is what presents itself to our eyes as visitors, where we gaze in amazement at the different nuances of the jarred vegetables.     With pride, Mauro explains the company's precise philosophy: to recover the ancient recipes for preserves in order to make them known beyond the borders of Apulia. And so we discover the 'Pric 'o prac', an ancient Molfettese sauce, now impossible to find, made from peppers and tomatoes, or the biscegliese antipasto with artichokes, champignon mushrooms, peppers and olives.     We cannot fail to mention the exquisite artichokes available in several versions. Grilled, stemmed, 'della mamma' or 'pugliese' style: all are exceptional with their tender heart dipped in the golden yellow of extra virgin olive oil. Tradition yes, but also innovation, like the refined lentil and sun-dried tomato mousse that combines the nutritional properties of the legume with the lively flavour of sun-dried tomatoes.      Mastrototaro Food's list of products is a long one. Mauro explains that a company like his, which puts the consumer before turnover, is the result of great teamwork. A team that wins because it plays well in the field. That field that Mastrototaro Food brings in jars directly to our.    

Winery

30 April 2021

Pandora Cellars

In the heart of Brindisi, a thriving land rich in millennia-old archaeological wonders, the Cantine Pandora winery was born.       Officially, the history of the business begins in 2017, but that of its founder has somewhat more remote origins. The owner, Francesco Fumarulo, owes his fortune to the land and his work as a farmer. With pride and transportation, Francesco explains that his passion for winemaking began as a child, and then over the years became a real profession culminating in the creation of Cantine Pandora.       The establishment stands in the midst of nature, among majestic olive trees, grazing animals, long rows of grapes and vast expanses of fields. Cradled by the healthy, placid air of Brindisi, Cantine Pandora's grapes turned into excellent red, white and rosé wine are almost all from Salento.       Francesco's willingness to contribute to the growth of his area is attested to by a very specific choice: to use largely native vines of Primitivo, Negramaro, Malvasia Nera and Malvasia Bianca grown according to organic standards.       With incredible respect for tradition and the aid of modern winemaking technology, Cantine Pandora is now a successful winery. The bottles are a small masterpiece that encapsulate the hard work, the love of the land, the work in the vineyard and in the cellar and, not surprisingly, they can all bear the IGP label.   {IMAGE_0}{IMAGE_1}   As the legend about the ancient Pandora's Box tells us, uncorking a bottle from this winery is tantamount to discovering all the good and beautiful of the land of origin.  Wine, otherwise also known as "nectar of the gods," for Cantine Pandora has an actual connection with divinity, to the point of deserving names that recall mythology.       To one of the "kings" of Salento, Primitivo, is dedicated Zeus, appellation of the highest Olympian deity. Zeus is a purplish-colored red produced from hand-picked grapes in the area's ancient vines, soft and enveloping with hints of red fruit.       Negramaro and Malvasia are the vines from which the grapes of Prometeo come, another red wine made from historic vines bred to trees that give the wine a delicate, broad, intense and pleasantly dry and full-bodied flavor. Then we find Ermes, Negramaro del Salento vinified in purity with the traditional method, tannic and structured to the right point. To Athena and Aphrodite are dedicated two of the rosés, both obtained from Negroamaro grapes and with intense fruity and very balanced scents. Among the whites we find Gea, a Malvasia Bianca del Salento wine with a refined, structured and persistent character or the charming Era, created from Chardonnay grapes that stands out for its golden hues and fine, dry but harmonious flavor.       Cantine Pandora's flagship product is the red '71 IGT, aged 6 months in French oak barrels. Strong, generous and intense are its aromas, so reminiscent of dried figs, which in this wine produced from Primitivo vines give it an original and strong-willed character.       Wines that fascinate the consumer for their overpowering and vigorous content, just like the territory from which they come.    

Farm

30 April 2021

Azienda Agricola Iannone

A typical mildly hilly Murgia landscape, made more barren by the paths of the karst blades that furrow its path. We are in ACQUAVIVA DELLE FONTI (ba), a small village in Puglia that, like a precious ancient mosaic, delights visitors with its beauty.     In this area that encloses ancient farms surrounded by the inimitable dry-stone walls, trulli and underground caves, the Iannone Farm was founded in 1996, producing the Red Onion and the Red Sponzale of Acquaviva delle Fonti flanked by the Black Chickpea of the Murgia Carsica, a triad of goodness that over the years has won the coveted Slow Food Presidium.     Leading us on this journey that speaks of traditional and incredibly territorial productions is Vito Abrusci, farm manager, whom we meet directly in the field in one of the districts that hosts the cultivation of onion, sponzale and black chickpea following the dictates of organic farming.     One can speak of a genuine advantage that such areas offer to this type of product due to the uniqueness of the organic richness that positively impacts the land. The excellent quality of the deep, potassium-rich, well-drained and aerated soils allow these crops to be born and grow abundantly, preserving all the incredible organoleptic and beneficial characteristics contained by nature.     The cultivation and harvesting of the Iannone company's red onion is manual, and the product is distinguished by its flattened shape and weight that are difficult to replicate. In this vegetable, the outer color is clearly distinguishable, evoking a palette of beautiful shades ranging from red to magenta almost purple and then showing the pale pink interior fading to white.     The sweet taste and intense aroma make the Red Onion perfect for fresh consumption or as a processed product. Speaking of red onion, we cannot fail to mention the sponzale, which is the bulb that is born by reproduction from the mature onion. The company cultivates it according to traditional methods, and the sponzale, also known as sponsale, keeps the delicate and light flavor of the onion intact.     An ancient vegetable whose name of Latin origin evokes the flatbread that was eaten during the sponsàlia, the ceremony that celebrated the future spouses. To think that the black chickpea of the Murgia Carsica has gone into space is something that leaves one astonished. The space chickpea, in every sense of the word, was chosen for its incredible properties for astronaut Samantha Cristoforetti's soup.     It is different from other legumes because of its dark color and hooked, wrinkled shape. Already known in the nineteenth century, Vito explains that Black Chickpea has always been the staple of the agricultural diet as a substitute for meat, at that time a food prerogative only of wealthy families.     The "poor man's meat," as the legume was once called, is palatable and very rich in fiber and iron. A peasant food that opens the door to a wonderful land.    

Oil mill

30 April 2021

“Cima di Bitonto” factory

The destination of our journey is the OLEIFICIO COOPERATIVO CIMA DI BITONTO, a proud bastion of a thousand-year-old tradition in our Apulia region. We are in Bitonto (ba), a few kilometres from the Apulian capital, in the heart of Puglia's extra virgin olive oil production.     An expanse of olive trees as far as the eye can see appears before the eyes of those travelling through the Bari hinterland. Once there, we cannot help but breathe in the intense scent of vegetation, as if we were immersed in an expanse of centuries-old olive trees. After all, nature is not so far away from us here, with the lush greenery of the adjacent Lama Balice, a treasure trove of wild flora and fauna biodiversity.     Waiting for us is Pasquale Mastandrea, President of the Oleificio Cooperativo. From his very first words we sense his boundless love for this generous land and its fruits. The Cima di Bitonto Cooperative has a history of more than sixty years and with its 350 members manages to pursue the incredible commitment of obtaining the best 'olive juice' made in Puglia.     A commitment clearly manifested in the Oleificio's logo, in which the word 'Puro', referring to oil, stands out against the elements of nature. Sun, rain, earth and the fruit that is born: all very important aspects to give the consumer an oil that tastes of tradition. In its years of activity, the Cooperative has managed to safeguard the land and the farmers thanks to a synergic work established with its numerous members.   {IMAGE_0}{IMAGE_1} From them comes the promise to preserve the olive cultivars and to make the area in which they grow known. It is no coincidence that the cultivated varieties are 70% Ogliarola and 30% Coratina: both originate from the growing area and are processed within a few hours of their harvest.     The agronomic methods used by the Cooperative's members are inspired by ancient local traditions and those notions handed down over the centuries that allow the plant to grow healthy and robust. The pruning system adopted allows the best nourishment to the shoots and young branches, so as to obtain a truly exceptional juice.     Cima di Bitonto brand oils are all extra virgin. The decisive character of the Coratina is mitigated by the sweetness of the Cima di Bitonto and the result is an extra virgin oil that combines the peculiarities of both cultivars, resulting in an intense yellow oil with a balanced presence of fruit and herbaceous hints. In addition to the classic extra virgin olive oil, much appreciated for its medium fruitiness, in the Oleificio's product basket we discover the D.O.P Terra di Bari, a harmonious, slightly spicy extra virgin with herbaceous fragrances.     From organic farming comes the 'Biologico' extra virgin olive oil. In this oil, the olive, with its strong flavour, and the almond, which is more delicate, stand out very well and do not alter the taste of a dish but, on the contrary, enhance it as it deserves.    

Winery

30 April 2021

Le Grotte Cellars

Immense marble quarries surround the vineyards of CANTINE LE GROTTE, a winery in Apricena (fg).     The small village, located close to the Gargano, is famous for the quality of its stone and its excellent wine, and is appreciated for its fertile soil and pleasant climate. At the winery we breathe the scent of centuries, of the history that has made this area important and of the tradition that survives and makes its way through progress.     Guiding us on this journey between stone and wine is Biagio Cruciani, the winery's sales manager, who tells us about a strongly identity-driven enterprise whose birth is inextricably linked to that of the town. Apricena is "attached" to the history of its stone, and that of Cantine Le Grotte embraces the local marble tradition.     It is in the Dell'Erba family quarries that the vineyards from which the wine is produced are planted. The family's marble-making tradition is also imprinted on the company logo: a large block of stone split by a vine, two elements of nature that coexist with each other.     It is from the living rock, from the fertile earth, that the story of Cantine Le Grotte's plant was born, immersed in nature and surrounded by greenery. It is a palette of colors that is presented to our eyes. The white of the nearby stone quarries allows the green of the landscape to triumph with its immense seasonal hues, while the blue of the sky divides the green of the sea from Lake Lesina and the Tremiti Islands in the background.     The vineyards are located in the foothills of the Gargano and are rooted in mineral-rich limestone soils, the same soils in which the best Apricena stone is grown. The winery produces excellent native red wines such as Nero di Troia and Primitivo along with international varietals such as Merlot and Sirah that have adapted well to the area's warm, temperate climate. Respect for the area of origin is one of the characteristics in which the winery continually invests.     Its philosophy espouses a concept of cultivation in which nature does the work. The link with Apricena is also told through the names of the wines.     Petrata, for example, is vinified in red from the Nero di Troia grape variety or in white from Bombino and is the "Italianized" version of the dialect term for quarry. The red has powerful hints of blackberry, while the white is finer and fruitier. Selva della Rocca, vinified in red (Primitivo and Nero di Troia), rosé (Nero di Troia) and white (Falanghina) is named after the Santa Maria Selva della Rocca Sanctuary in Apricena, probably built between the 8th and 9th centuries by Benedictine monks, and all are fine wines with intense, fruity and floral aromas.     Not to be missed are the bubbles in Charmat and Merlot Classico versions, and completing the line is the Sico high catering version identified by a label depicting a medieval coin called "Sicone" from the Lombard period found in existing vineyards. Wines that symbolize gratitude and respect for this land and are inspired by it to offer the consumer all their goodness.    

Liquor factory

30 April 2021

Antichi Elixir

In the pretty town of Molfetta by the sea, ANTICHI ELIXIR is born, an imaginative artisan liqueur maker that makes authenticity its trademark. The company recounts the territory through quality liqueurs and bitters that encapsulate the most sincere expression of our ancestors' traditions, combining scrupulous production at every stage.     Welcoming us into the laboratory is Alessio Picca, a young entrepreneur who in 2007 decided to combine solid experience in the sector with a love for his land and the genuineness of its fruits. Crossing the threshold, we observe a riot of elegant bottles containing liqueurs in the amber colours typical of quinces, the red nuances of pomegranate or the intense, almost black, purple of wild black mulberry.     They are almost like ampoules containing elixirs with beneficial properties prepared with exclusive recipes, the result of continuous experiments that give the final product a strong personalisation. The raw materials are fundamental to producing quality liqueurs and bitters, processed as they used to be.     Alessio explains in great detail, and with infinite gratitude, the immense heritage of recipes left by his grandmothers, recipes that today allow Antichi Elixir to carry on a family history. The fruits used are all local and their harvest is seasonal, thus conditioned by spring temperatures, synonymous with an uncommon respect for nature's cycles.     Prepared on the basis of Alessio's grandmother's homemade version, 'Cydò' is one of Antichi Elixir's must-have liqueurs. It is composed only of quince juice and good-tasting alcohol, with an alcohol content of 45°. The quinces are harvested and processed strictly by hand during the spring, when the fruit is at the peak of its ripeness and releases all the goodness of its nectar. A long ageing period of about two years sublimates 'Cydò' with elegant, decisive and at the same time soft notes.     "109" is the number of almonds in the artisanal elixir, which, not by chance, is called 109 Almonds. Also derived from a historical recipe, this bitter is a true treasure of our land. The alcoholic infusion is made with Toritto almonds of the 'Filippo Cea' variety, a Slow Food presidium and rich in antioxidant properties. The touch of class of 109 Almonids given by the addition of gentian roots, plants, flowers, citrus peels and local spices mixed together, resulting in a perfect and intense alchemy of smells and flavours.     The bitter distinguished itself at the Spirits Selection world competition in Brussels, challenging over a thousand companies from all over the world and receiving a coveted silver medal. Ruby is the colour of 'Ako', a pomegranate liqueur with a sweet and slightly astringent taste, bottled in a sinuous, diamond-shaped container that makes its seductive tones stand out.     Those of Antichi Elixir are liqueurs and bitters that are the fruit of stainless stories and traditions that defy the passing of the years. Elixirs of long life that delight the palate, pamper the spirit and speak of a wonderful land: Apulia.  

Fireworks producer

30 April 2021

Chiarappa Fireworks

In 1940 PIROTECNICA CHIARAPPA, an Apulian company known worldwide for the scenic beauty of its fireworks displays, was founded in San Severo (fg). Eighty years in business and four generations of entrepreneurs skilled in the art of light and fireworks displays make PIROTECNICA CHIARAPPA a benchmark in the fireworks display industry.   The company produces all kinds of pyrotechnics in full compliance with the safety standards dictated by the European Union and tests products following the guidelines of accredited institutes. The incredible craft of fireworks preparation is carefully and passionately handed down from father to son and has evolved to the point where it offers the public incredible and breathtaking fireworks shows.   Pirotecnica Chiarappa has lit up the skies all over Italy, bringing Apulian mastery to Europe as well, such as the numerous participations in Germany, Croatia, France, and Austria, winning numerous contests and receiving many awards and recognitions.   Separate mention deserves the participation of Pirotecnica Chiarappa in the opening party of Matera 2019 European Capital of Culture. The consequentiality of the images that suddenly appear high in the sky and that mix designs of luminous fountains, streamers that descend slowly, stars that burst dividing into many other little stars and so on, are all games that are not random but studied at the desk by real experts who know the secrets of pyrotechnics and who know well the effects of a certain path and how to achieve it.   {IMAGE_0}{IMAGE_1} The study is not superficial but very detailed and thorough. Like a director, Nicola Chiarappa, the last of the lineage, has to foresee times, causes and effects so that a performance can be executed planned in every detail. Not only tradition but also and above all innovation.   Chiarappa Pyrotechnics offers classic "ground" shows and radio-controlled displays, with remote programming and computerized start-up. Shades of color are obtained by calibrating and mixing various types of chemicals until the desired result is achieved.   It is a job that requires meticulous care of the products handled to ensure that each shade and nuance is exactly as requested by the client. As in all craft businesses, there is a meticulous method of preparation to achieve the desired colors and results: the "recipe" jealously guarded, has been handed down from father to son for decades.   Thanks to the family's creativity, experience and desire to take the spread of the art of pyrotechnics ever higher, Pirotecnica Chiarappa has opened a store dedicated to the marketing of products for all kinds of parties.   Between fireworks, streamers and gadgets, Pirotecnica Chiarappa makes incredible shows and performances that will make you daydream. Today Nicola Chiarappa holds the reins of the company to propel it into an increasingly promising future.    

Liquor factory

30 April 2021

Gargano Delizie

A wonderful village, known as the Pearl of Gargano, stands on a bluff overlooking the crystal clear sea, kissed by white sand and embraced by towering rocky cliffs.     We are in Peschici, and in this incredible landscape that smells of salt and Mediterranean vegetation, GARGANO DELIZIE® was born, an artisan distillery that shares the history of the territory through its products.      Started in 2002 by Michele and Patrizia Caputo, the couple immediately based their production on quality and craftsmanship, resulting in a series of unique creations. Crossing the threshold of the small laboratory, we are immediately attracted to the tanks containing delicious infusions and delighted by the contagious enthusiasm that Michele and Patrizia have for their work.     Production takes place in Ischitella (fg), a town a few kilometres from Peschici, but the salespoint is found in the historic city centre of Peschici (fg), in an area brimming with tasty shops full of local goodness. The Peschici shop also offers other local specialities and traditional gastronomy, such as jams, preserves, pâtés, and much more, offering a variety of products that fully reflects our culinary culture.   {IMAGE_0}{IMAGE_1}   Sharing all the unique characteristics of a territory, passing down its traditions and unearthing its cultural heritage, is a great undertaking. Each liqueur by Gargano Delizie (of which there are about forty) is born from a careful study of the local traditional recipes, but most importantly from the scrupulous search for raw materials that are processed according to the artisanal and homemade methods used by our ancestors. Michele and Patrizia tell us about their flagship product, the "Amaro della Suocera", a sweet elixir from 1900 also known as the “cherry of the grandmothers".     "Amaro della Suocera" is made with local Primitivo wine and black cherry juice, and it was their 90-year-old uncle who shared its ancient secrets with them. Patrizia also tells us about their "Amico", another greatly enjoyed liqueur dedicated to their customers to celebrate 18 years of production.     The idea came from a childhood memory of her grandfather dunking a slice of peach into his glass of wine. That's why "Amico" is made with Falanghina PGI wine and Gargano peaches, an elixir in which the goodness of the fruit is enhanced by the alcohol. In this family-run workshop, two other products must be mentioned: the "Lemolivo", a lemon liqueur made with local orange peels and olive leaves which infuse it with a green colour reminiscent olives, and the "Gargano's” artisan beer, developed from a recipe by Michele and Patrizia that includes, among other ingredients, peels from the Gargano bitter orange.     A product that symbolises the territory in its very label: a pearl resting in an oyster with a historical “trabucco” fishing machine, with citrus fruits crowning the beautiful Pearl of Gargano.  

Tarallo factory

07 December 2022

Freehand

A story that has its roots far back in time, because far back Don Riccardo Agresti has always been able to look: all it takes is a farm and many hands just asking to be used for something good. This is how the taralli of 'a Mano Libera' were born, thanks to the Diocese of Andria's 'Senza Sbarre' project.     We are in the Andria countryside, enjoying a beautiful panorama, with Castel del Monte standing out in the background, symbol of an ancient and true Apulia. Here we find the fortified masseria San Vittore.     San Vittore has become a place of rehabilitation and reintegration for dozens of inmates and ex-convicts with its ten hectares of land. The bright colours of the fruit, the fragrances of the vegetable garden, the sound of the wind passing through the branches of the olive trees are accessories to the scent coming from the kitchens.     Don Riccardo tells us that the "Senza sbarre" project and the "a Mano Libera" cooperative produce handmade taralli with quality natural raw materials and km 0. They are truly handmade, because there are no industrial machines to shape the taralli to the grains being processed: the busy and skilful hands of the operators move with precision on the counters and arrange those rounded shapes of pure love on the baking trays.     In addition to the classic fennel seed taralli, tasty varieties have been added, such as the one already mentioned with cereals, then the one with sun-dried tomatoes, which combines one of the most identifying flavours of the Apulian territory with a typical product, and the taralli with Nero di Troia: usually taralli are kneaded with white wine, while here one of the most acclaimed local varieties is chosen.     The scent coming from the oven spreads throughout the premises dedicated to production, which starts with dough made from quality local flours. The dough is shaped strictly by hand and then boiled, after which the taralli end up in the oven, the author of those fragrances that can be savoured well before entering the premises.     "a Mano Libera" was born as an alternative measure to prison, giving hope and new perspectives to its operators, but also quality traditional products for all the world's gluttons.     The proceeds from the sale of the taralli go back into circulation, reinvested to give other people who have seen prison in their path a chance at redemption.